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The Day After Tomorrow (2004) Download Voll

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Ankündigung komplett Beschreibung The Day After Tomorrow unten:
  • Originaltitel : The Day After Tomorrow
  • Filmtitel in Ihrem Land : The Day After Tomorrow
  • Jahr der Film : 2004
  • Genres des Films : Action, Abenteuer, Science Fiction, Thriller,
  • Status-Film : Released
  • Ver�ffentlichungsdatum : 2004-05-26
  • Die Unternehmen der Film : Lions Gate Films, Twentieth Century Fox Film Corporation, Centropolis Entertainment, Mark Gordon Productions, Mel's Cite du Cinema,
  • L�nder Film : United States of America,
  • Sprache des Films : English, 日本語, Français, العربية, Español,
  • Durasi Of film : 124 Min
  • Stimme durchschnittlich : 6.2
  • Youtube ID des Films : Ze8Gshk53Y8
  • �bersetzung von Film : BG,CA,CS,DA,DE,EL,EN,ES,FI,FR,FR,HE,HU,ID,IT,JA,KO,NL,NO,PL,PT,PT,RO,RU,SR,SV,TH,TR,UK,ZH,ZH,
  • Schauspieler des Films :Emmy Rossum (Laura Chapman), Austin Nichols (J.D.), Sasha Roiz (Parker), Perry King (President Blake), Glenn Plummer (Luther), Kenneth Moskow (Bob), Ian Holm (Terry Rapson), Jake Gyllenhaal (Sam Hall), Kenneth Welsh (Vice President Becker), Christopher Britton (Vorsteen), Christian Tessier (Aaron), Vitali Makarov (Yuri, Russian Astronaut), Mimi Kuzyk (Secretary of State), Dash Mihok (Jason Evans), Tamlyn Tomita (Janet Tokada), Richard Zeman (Flight Director), Carl Alacchi (Venezuelan Delegate), Sela Ward (Dr. Lucy Hall), Nestor Serrano (Gomez), Arjay Smith (Brian Parks), Adrian Lester (Simon), Jay O. Sanders (Frank Harris), John Maclaren (Veteran Scientist), Japanese Astronaut), Michel 'Gish' Abou-Samah (Saudi Translator), Nassim Sharara (Saudi Delegate), Russell Yuen (Hideki, Dennis Quaid (Jack Hall)

0319262

The Day After Tomorrow ist eine vernünftige film hergestellt von Lions Gate Films, Twentieth Century Fox Film Corporation, Centropolis Entertainment, Mark Gordon Productions, Mel's Cite du Cinema, mit der Verwendung von a Beschreibung des Films "Lange prognostiziert, setzen sie plötzlich innerhalb kürzester Zeit weltweit ein, gewaltige Naturereignisse, die eine neue Eiszeit einläuten: Hagelstürme in Tokio, Schneefälle in Indien, Tornados über Los Angeles. Endlich reagiert auch die Regierung und evakuiert alle US-Bürger der südlichen Staaten nach Mexiko, während man mangels Zeit alle anderen dem sicheren Kältetod überlässt. Einzig Klimaforscher Jack Hall kämpft sich durch Blitzeis und Schnee nach Norden, denn sein Sohn sitzt in der New Yorker Bibliothek fest.". Der Film wurde mit hervorragenden grafischen Qualit�t hergestellt, beste Ohr Platzen Klangqualität und feinsten mit Schauspielern.

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Utility Stunts : Nick Brandon, CG Supervisor : David Prescott, Transportation Captain : John Bober, Camera Operator : Gary L. Camp, Camera Operator : Alfonso Maiorana, Construction Coordinator : Michel Brochu, Set Decoration : Paul Hotte, Finance : Linda Strause, Visual Effects Supervisor : Chris Watts, Rigging Gaffer : Frank Dorowsky, Visual Effects Supervisor : Greg Anderson, Gaffer : Logan Leabo, Storyboard : Timothy Burgard, Third Assistant Director : Paul Drouin, First Assistant Director : Kim H. Winther, Camera Operator : Peter Hutchison, Sound Designer : Harry Cohen, Visual Effects Editor : Michael Cavanaugh, Sculptor : Andrew Semple, Camera Operator : Eric Goethals, CG Supervisor : Sean Andrew Faden, Set Production Assistant : Mariana Acuña Acosta, Loader : Amelie Duceppe, Sound Designer : Alan Rankin, Foley : Glenn T. Morgan, Music Editor : Emanuele Arnone, Production Manager : Daniel Auclair, Visual Effects Supervisor : Rocco Passionino, Production Illustrator : Michael Meier, Lighting Artist : David B. Menkes, Art Direction : Réal Proulx, Propmaker : Patrice Jacques, Stunt Coordinator : Charlie Brewer, Lighting Technician : Stéphane Byl, Techno Crane Operator : Richard Boucher, Makeup Effects : Adrien Morot, Construction Coordinator : Alain Brochu, Art Direction : Michele Laliberte, First Assistant Camera : Michel Bernier, Musician : Maria Newman, Casting Associate : Scott David, ADR & Dubbing : Derek Casari, Key Hair Stylist : Janis Clark, Set Designer : Steve Cooper, First Assistant Editor : Robert Berman, Sound Recordist : Jon S. Trebilcock, Matchmove Supervisor : Alia Agha, Visual Effects Supervisor : Colin Strause, Director : Roland Emmerich, Sound Engineer : John Bires, Unit Manager : Paul Boutin, Sound Designer : Randy Kelley, Hairstylist : Réjean Forget, Casting : Randi Wells, Set Designer : Caroline Alder, Stand In : Martin Brisebois, Visual Effects Producer : Todd Isroelit, Art Department Assistant : Una Martin, Co-Producer : Thomas M. Hammel, First Assistant Sound Editor : Victor Ray Ennis, Casting Assistant : Bryan Riley, I/O Supervisor : Ryan Beadle, Production Design : Barry Chusid, Digital Producer : Andra Bard, Script Supervisor : Sophie Boyer, Camera Loader : Charlie Newberry, Visual Effects Editor : Nicolas Anastassiou, Executive Producer : Stephanie Germain, Executive In Charge Of Production : Vanessa R. Jordan, CG Supervisor : Dagan Potter, Steadicam Operator : Gary L. Camp, Systems Administrators & Support : Joe Ardent, Supervising Art Director : Claude Paré, Electrician : Paul Postal, Original Music Composer : Harald Kloser, Visual Effects Producer : Jody Echegaray, Visual Effects Supervisor : Ian Hunter, Camera Technician : Steven J. Winslow, Original Music Composer : Thomas Wanker, Property Master : Claire Alary, Hairstylist : Sandy DeBlasio, Key Makeup Artist : Kathryn Casault, Second Unit Cinematographer : Anna Foerster, Still Photographer : Kerry Hayes, Executive Visual Effects Producer : Marc Sadeghi, Construction Coordinator : Bruce Di Valerio, Executive Producer : Ute Emmerich, Visual Effects Producer : Michael Meagher, Local Casting : Cate Praggastis, Makeup Artist : Sharon Ilson, Visual Effects Supervisor : Greg Strause, Visual Effects : Diane Macke, Steadicam Operator : Francois Archambault, Set Designer : Hugo Santiago, Still Photographer : Takashi Seida, Grip : Joost Clerinx, Location Manager : Céline Daignault, Set Decoration : Victor J. Zolfo, Visual Effects Art Director : Alexander Laurant, Assistant Art Director : Camille Parent, Helicopter Camera : Steve Hertler, Second Unit Cinematographer : Tom Yatsko, 24 Frame Playback : Marie-Pierre Tétreault, Director of Photography : Ueli Steiger, Line Producer : Tavin Marin Titus, Construction Foreman : Eric Lafrance, 3D Artist : Zack Judson, Executive Producer : Kelly Van Horn, Script Supervisor : Kim Berner, Dolly Grip : Alain Masse, Costume Supervisor : Kenn Smiley, Animation Supervisor : Danny Gordon Taylor, Sound Recordist : Tim Gomillion, Casting : Andrea Kenyon, Rigging Gaffer : Gilles Fortier, Art Direction : Tom Reta, Sequence Leads : Jason Iversen, Transportation Co-Captain : Spiro Tsovras, Sound Effects Editor : Michael Kamper, Post Production Assistant : Jeff Schweikart, Camera Operator : Francois Archambault, Camera Operator : Georgia Packard, Key Grip : Marc Andrus, Scenic Artist : Donald Beaulieu, Carpenter : Jane Kilkenny, Visual Effects : Kristen Branan, Costume Design : Renée April, Music Editor : Bob Beher, Best Boy Electric : Edison Jackson, Pilot : Al Cerullo, Makeup Effects : C.J. Goldman, Digital Effects Supervisor : Bryan Grill, Sound Designer : Ann Scibelli, Dialogue Editor : James Matheny, 3D Supervisor : Rina Strause, Set Medic : Jean Marchand, Associate Producer : Kim H. Winther, Set Designer : Alex Touikan, ADR Editor : Kerry Dean Williams, Technical Supervisor : Irfan Celik, Author : Roland Emmerich, Visual Effects Coordinator : Erica Headley, Rigging Grip : Richard Complaisance, Conductor : Blake Neely, Costume Supervisor : Robert Q. Mathews, Visual Effects Producer : Mike Chambers, Art Direction : Gerald Sullivan, Pre-Visualization Supervisor : Daniel Fort, Construction Coordinator : Rejean Brochu, Supervising Sound Editor : Larry Kemp, Producer : Roland Emmerich, Unit Publicist : Joe Everett, Visual Effects Supervisor : Conny Fauser, CG Supervisor : Andrew Waisler, Transportation Coordinator : Daniel Matthews, Camera Operator : Bill O'Drobinak, 3D Animator : Jeremy F. Butler, Visual Effects : Michael Leung, Production Sound Mixer : Douglas J. Schulman, Producer : Mark Gordon, Special Effects Supervisor : Louis Craig, Creature Technical Director : Vijay Myneni, Modeling : Yoshiya Yamada, Makeup Effects : George Tucci, Set Decoration Buyer : Stacy Weddington, Set Designer : Stephanie Gilliam, Lighting Supervisor : Chris Wells, Second Assistant Director : Erik Ajduk, Transportation Coordinator : Javier Gunther, Set Designer : Karl J. Martin, Orchestrator : Frank Bennett, Visual Effects Supervisor : Richard Britton, Negative Cutter : Gary Burritt, Production Coordinator : Danielle Boucher, Sound Recordist : Dennis Rogers, Dialogue Editor : Daniel S. Irwin, Special Effects : Neil Corbould, Utility Sound : Schavaria Reeves, Stunt Coordinator : Branko Racki, Supervising Sound Editor : Mark P. Stoeckinger, Visual Effects Supervisor : Karen E. Goulekas, First Assistant Editor : Quincy Z. Gunderson, Craft Service : Chris Winn, Visual Effects Producer : Petra Holtorf, Roto Supervisor : Stephanie Taubert, Property Master : Denis Hamel, Assistant Production Coordinator : Guylaine Boucher, Leadman : David M. Milstien, Video Assist Operator : Julie Garceau, Visual Effects Supervisor : Remo Balcells, Associate Producer : Lawrence Inglee, Digital Intermediate : Lorene Simpson, Chief Lighting Technician : Jean Courteau, Boom Operator : Timothy P. Salmon, Assistant Property Master : Eric Bardin, Location Manager : Kenneth E. Fix, Hairstylist : Kathryn Powell, Painter : Gloria Ciraolo, Set Designer : Vincent Gingras-Liberali, Sculptor : Lucie Fournier, Visual Effects Producer : Casey Conroy, Makeup Effects : Sylvania Yau, Set Dresser : Louis Dandonneau, Stunts : Marcello Bezina, Post Production Supervisor : Jeffrey Harlacker, Visual Effects Producer : Raoul Bolognini, Location Manager : Lily Flaschner, Unit Production Manager : Joe Dishner, Author : Jeffrey Nachmanoff, Set Designer : Frédéric Amblard, Key Costumer : Valerie T. O'Brien, Makeup Artist : Elisabeth Fry, Digital Compositors : Sean Apple, Software Engineer : Chamberlain Fong, Color Timer : Michael Eaves, Editor : David Brenner, Sound Re-Recording Mixer : Doug Hemphill, Production Accountant : Manon Lapointe, Art Direction : Martin Gendron, Sound Recordist : Chris Walmer, Driver : Chris Haynes, Casting : April Webster, Art Department Coordinator : Nancy A. King, Visual Effects Supervisor : Jerry Spivack, Sound Mixer : David O. Daniel, Costume Coordinator : Lyse Pomerleau, Set Costumer : Arlynn Abseck, CG Supervisor : Hans Uhlig
nat�rlich, jetzt Sie anzeigen k�nnen film verkn�pft mit The Day After Tomorrow 100% L�nge und zu erhalten die verbunden mit dieses video The Day After Tomorrow in High-Definition-Format.


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